Autumn 2010 | Number 19 | Paul Razzell, Editor

Presses
Beauty at the End of a Dirt Road: Libros San Cristóbal, Cora Campbell Ward
Tara Books: India’s Unlikely Fine Press Success Story, Jennifer Abel
A Valediction Forbidding Mourning: Closing the Rampant Lions Press Workshop, Sebastian Carter

Special Feature: Fine Printing in California
Three Philosophical Printers: William Everson, Jack Stauffacher, andAdrian Wilson, Peter Koch
J. Smeaton Chase, Gregory Graalfs
Traditional Texts in New Formats, Andrew Hoyem
Food and Fine Printing: The Chez Panisse Connection
The Book Club of California at 100, Gary Young
Fine Printing’s Hollywood Connection: Gloria Stuart’s Imprenta Glorias, Kathleen Walkup
In Full Force: The Scripps College Press, Kitty Maryatt
Fine Printing in the San Francisco Bay Area: The Parenthesis Interview with Peter Koch

In Type
Printing the Declaration of Independence, Richard Hopkins

Lives Lived
Remembering Jim Rimmer, Richard Kegler

Poets and Their Presses
‘An Unholy Alliance’: The Early Days of Charles Bukowski and Black Sparrow Press, Abel Debritto
Weil, Pollack, and the Elizabeth Press, David Pavelich

History
Developments in Wood Engraving over the Past 25 Years, Simon Brett
Binding the Lost Gutenbergs, Michael L. Chrisman

Book Reviews
Aethelwold Etc., Paul Gehl
BOX 25, Barry Moser
California in Relief, Jan Elsted
Heart of Darkness, Michael R. Gibson and John G. Peters
Herakles & the Eurystheusian Twelve-step Program, David Schoonover
The Importance of Being Earnest, Crispin Elsted
The Persephones, Gerald Lange
Pervigilium Veneris, Stephen Tabor
A Reading for Group 47, Bruce Whiteman
This (And That Was That), Glen Downie

Books Briefly Noted, Paul W. Nash

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